{"id":1535,"date":"2010-10-07T00:03:43","date_gmt":"2010-10-07T04:03:43","guid":{"rendered":"http:\/\/www.socialdoc.net\/magnus\/?p=1535"},"modified":"2010-10-07T00:03:43","modified_gmt":"2010-10-07T04:03:43","slug":"documentary-and-globalization-favouring-understanding","status":"publish","type":"post","link":"https:\/\/www.socialdoc.net\/magnus\/2010\/10\/07\/documentary-and-globalization-favouring-understanding\/","title":{"rendered":"Documentary and globalization: favouring understanding"},"content":{"rendered":"<figure style=\"width: 500px\" class=\"wp-caption aligncenter\"><a title=\"Age of Stupid - Sydney by misacsson, on Flickr\" href=\"http:\/\/www.flickr.com\/photos\/12509341@N03\/5058497459\/\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/farm5.static.flickr.com\/4144\/5058497459_ec22b245f9.jpg\" alt=\"Age of Stupid - Sydney\" width=\"500\" height=\"281\" \/><\/a><figcaption class=\"wp-caption-text\">A still from the documentary &quot;The Age of Stupid&quot;, directed by Franny Armstrong<\/figcaption><\/figure>\n<p style=\"text-align: left;\">I have just spent two weeks teaching at <a title=\"Whitman College visiting scholars\" href=\"http:\/\/www.whitman.edu\/content\/global-studies\/odonnell\/current\" target=\"_blank\">Whitman College<\/a> in Walla Walla, Washington State. More on my course another day, but I also had the opportunity to speak to the students and faculty about Documentary in the Context of Globalization.<\/p>\n<p>I talked about how the new digital technologies have democratized access to audio-visual production and how the web has made it possible to instantaneously distribute videos worldwide. This has opened up a two-way street, making local stories available to the world, and bringing the world (or stories from elsewhere in the world) to audiences just about everywhere.<\/p>\n<p>To illustrate my points, I showed excerpts from three films. <a title=\"Burma VJ movie\" href=\"http:\/\/burmavjmovie.com\/\" target=\"_blank\">Burma VJ<\/a> is one I wrote about on my blog earlier. The film documents the use of small digital cameras by courageous video journalists \u2013 VJ\u2019s \u2013 to reveal what goes on inside the Burmese dictatorship. With digital cameras and satellite uploads they distribute images worldwide within hours. Their work made all the difference during the <a title=\"NYTimes\" href=\"http:\/\/www.nytimes.com\/2007\/09\/21\/world\/asia\/21myanmar.html?_r=1&amp;fta=y\" target=\"_blank\">2007 uprising led by Buddhist monks<\/a> across the country.<\/p>\n<p>Another example I used was the <a title=\"YouTube\" href=\"http:\/\/www.youtube.com\/verify_age?next_url=http%3A\/\/www.youtube.com\/watch%3Fv%3DvlehNLfk90c\" target=\"_blank\">video of the killing of a young Iranian woman<\/a> during the 2009 protests in that country. It graphically showed her dying moments, and really touched people emotionally. Thanks to the web and cell phone \u2013 Twitter was particularly instrumental &#8211; it spread like wildfire, and actually helped change the relationship of forces between the regime and the opposition.<\/p>\n<p>As an example of how the new production and distribution context has allowed people who did not traditionally have access to the resources to express themselves audiovisually, I used the amazing <a title=\"Wapikoni mobile\" href=\"http:\/\/wapikonimobile.com\/\" target=\"_blank\">Wapikoni mobile<\/a> experience, which has been running for six years in Quebec. Young aboriginal people have been given training and access to production facilities, and the result is impressive. Many of their films have been <a title=\"Wapikoni honours\" href=\"http:\/\/wapikonimobile.com\/?page_id=100&amp;lang=en\" target=\"_blank\">presented at festivals and won awards<\/a>.<\/p>\n<p>For some filmmakers, the starting point is not local but global. That was the case with the 2009 film <a title=\"Spanner Films\" href=\"http:\/\/spannerfilms.net\/films\/ageofstupid\" target=\"_blank\">The Age of Stupid<\/a> by <a title=\"Spanner Films\" href=\"http:\/\/spannerfilms.net\/node\/219\" target=\"_blank\">Franny Armstrong<\/a>.  The premise, established with much aesthetic panache, is that while the world has gone to ruin, one man (played by <a title=\"IMDB\" href=\"http:\/\/www.imdb.com\/name\/nm0000592\/\" target=\"_blank\">Pete Postlethwaite<\/a>) remains in the Global archive in 2055. His archives reveal the stupidity of the people of our era who knew the world was on the road to perdition but didn\u2019t act \u2013 stories set, naturally, in our own time.<\/p>\n<p>Finally, I spoke about the phenomenon of immigrant directors (or children of immigrant families) making films about their home countries in the \u2018developing countries\u2019. Having access to the funding mechanisms of the richer countries as well as an intimate knowledge \u2013 or at least personal connection \u2013 to their country of origin, these talented directors have made some great films. <a title=\"Social Doc\" href=\"http:\/\/www.socialdoc.net\/kazimi\/ali_html_pages2\/1AK2Home.html\" target=\"_blank\">Ali Kazimi<\/a>\u2019s <a title=\"Social Doc\" href=\"http:\/\/www.socialdoc.net\/kazimi\/ali_html_pages2\/1AK2Nar.html\" target=\"_blank\">Narmada &#8211; A Valley Rises<\/a>, <a title=\"One World\" href=\"http:\/\/www.oneworld.cz\/oneworld\/2001\/english\/text5.php\" target=\"_blank\">Rithy Panh<\/a>\u2019s <a title=\"PBS\" href=\"http:\/\/www.pbs.org\/wnet\/wideangle\/about\/film4.html\" target=\"_blank\">films about Cambodia<\/a> are good examples, but I chose to show an excerpt of <a title=\"EyeSteel Films\" href=\"http:\/\/www.eyesteelfilm.com\/uptheyangtze\" target=\"_blank\">Up The Yangtze<\/a> by <a title=\"NFB Q&amp;A with filmmaker\" href=\"http:\/\/www.uptheyangtze.com\/q-a.php\" target=\"_blank\">Yung Chang<\/a> (<a title=\"NFB Up the Yangtze\" href=\"http:\/\/films.nfb.ca\/up-the-yangtze\/up-the-yangtze.php\" target=\"_blank\">NFB<\/a> &amp; <a title=\"EyeSteel\" href=\"http:\/\/www.eyesteelfilm.com\/\" target=\"_blank\">EyeSteel Films<\/a>).<\/p>\n<p>There are increasing numbers of excellent films coming out of the countries in the South. As a member of the board of the <a title=\"Alter-Cine\" href=\"http:\/\/www.altercine.org\/index_en.php\" target=\"_blank\">Alter-Cine Foundation<\/a>, I am able to see the incredible diversity of projects from Asia, Africa and Latin America looking for funding every year. Just reading the proposals, one gets a sense of the many aspects of reality which are not adequately covered by our television networks.<\/p>\n<p>Conclusion \u2013 it sound a little simplistic when summarized, but it\u2019s true: by offering a more in-depth treatment of other realities, documentaries contribute to understanding and awareness between peoples.<\/p>\n<p><em>Thanks to <a title=\"Wordpress blog\" href=\"http:\/\/tobielliottjourno.wordpress.com\/\" target=\"_blank\">Tobi Elliott <\/a>for her help with this blog. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I have just spent two weeks teaching at Whitman College in Walla Walla, Washington State. More on my course another day, but I also had the opportunity to speak to the students and faculty about Documentary in the Context of Globalization. I talked about how the new digital technologies have democratized access to audio-visual production &hellip; <a href=\"https:\/\/www.socialdoc.net\/magnus\/2010\/10\/07\/documentary-and-globalization-favouring-understanding\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Documentary and globalization: favouring understanding<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,11,3],"tags":[162,56,168,172,179,158,160,161,175,157,115,178,180,169,156,171,163,173,164,39,170,174,165,176,155,167,159,154,166,177],"class_list":["post-1535","post","type-post","status-publish","format-standard","hentry","category-documentary-debates","category-english","category-film","tag-2007-burmee-uprising","tag-aboriginal-people","tag-age-of-stupid","tag-ali-kazimi","tag-alter-cine-foundation","tag-audio-visual","tag-burma-vj","tag-burmese-dictatorship","tag-cambodia","tag-digital-technology","tag-documentary","tag-eyesteel-films","tag-film-funding","tag-franny-armstrong","tag-globalization","tag-immigrant-directors","tag-iran-protests","tag-narmada-a-valley-rises","tag-neda-agha-soltan","tag-nfb","tag-pete-postlethwaite","tag-rithy-panh","tag-twitter","tag-up-the-yangtze","tag-walla-walla","tag-wapikoni-mobile","tag-web","tag-whitman-college","tag-youtube","tag-yung-chang"],"_links":{"self":[{"href":"https:\/\/www.socialdoc.net\/magnus\/wp-json\/wp\/v2\/posts\/1535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.socialdoc.net\/magnus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.socialdoc.net\/magnus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.socialdoc.net\/magnus\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.socialdoc.net\/magnus\/wp-json\/wp\/v2\/comments?post=1535"}],"version-history":[{"count":10,"href":"https:\/\/www.socialdoc.net\/magnus\/wp-json\/wp\/v2\/posts\/1535\/revisions"}],"predecessor-version":[{"id":1545,"href":"https:\/\/www.socialdoc.net\/magnus\/wp-json\/wp\/v2\/posts\/1535\/revisions\/1545"}],"wp:attachment":[{"href":"https:\/\/www.socialdoc.net\/magnus\/wp-json\/wp\/v2\/media?parent=1535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.socialdoc.net\/magnus\/wp-json\/wp\/v2\/categories?post=1535"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.socialdoc.net\/magnus\/wp-json\/wp\/v2\/tags?post=1535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}