Anaïs: turning the tables

Trio politique
Three children from Anaïs' film Se Souvenir des Cendres: Regard sur Incendies

French would be the logical language for this post, but I’d like to share this content with people outside Quebec.

This past week was Anaïs Barbeau-Lavalette week. This extremely talented, 31-year-old Montreal director launched a novel, held a vernissage for a photo exhibition, and signed a terrific documentary broadcast on Radio-Canada Sunday night at 10.30.

The film, Se Souvenir des Cendres (“Remembering the Ashes”), is the ‘making of’ Denis Villeneuve‘s film Incendies, a fiction film based on Wajdi Moawad’s stage play of the same name. Produced by Micro-Scope for Radio-Canada, Se Souvenir follows the shooting of Villeneuve’s film in Jordan. Villeneuve and his crew worked with actual survivors of the conflicts as extras, from notably Iraq, Lebanon and Palestine, and these people become the mainstay of Anaïs’s making of film: they compare what they see on set to what they lived through in real life, and the effect is striking.

Also, Anaïs – who does her own camerawork – has a real eye for the children. There are many moving moments with children remembering war and expertly discussing arms, survival strategies, fears and hopes.

Anaïs Barbeau-Lavalette
Anaïs - Photo Credit: André Turpin

Children are also at the heart of Anaïs’s first novel Je voudrais qu’on m’efface (“I Would Like to be Erased”), based on the lives of children in the Montreal East End Hochelaga-Maisonneuve neighborhood where she shot some of her previous films.

The launch took place at the Usine C performance space, simultaneous with the première of a photo exhibition by cinematographer André Turpin, featuring very creative pictures of children growing up in a context marked by poverty, absent parents and various forms of addiction. All proceeds from the sale of large prints of the photos go to Dr. Gilles Julien, who is internationally renowned for his work with children, mainly in Hochelaga-Maisonneuve.

Anaïs tells me that she used to see me as an inspiration. Well, the tables have been turned, now it’s the other way around. Chapeau Anaïs!

(Anaïs is the daughter of director Manon Barbeau and cinematographer Philippe Lavalette.)

NOTE: Se Souvenir des Cendres: Regard sur Incendies will be re-broadcast on ARTV Tuesday, Sept 21 at 4 pm, and again on Sunday at 2:30 pm and 7 pm. The film will also be presented at the Festival du Nouveau Cinéma in October.

Thanks to Tobi Elliott for her help with this blog.

Published by

Magnus Isacsson

As an independent documentary filmmaker I have made some fifteen films dealing with social, political and environmental issues. Previously I was a television and radio producer. I was born in Sweden in 1948, immigrated to Canada in 1970. I live with Jocelyne and our daughter Béthièle in Montreal, and my older daughter Anna lives in Toronto.