protest – Documentary Field Notes and Flashpoints

Four Montreal Grannies — The four Montreal grannies who helped shoot our pitch

Documentary film funding is not what it used to be. With broadcast windows few and far between and cutbacks everywhere, we doc-makers are turning to other sources, using other methods. And one of the new ways is web-based participatory, or crowd funding. This week I am participating in the Cuban Hat on-line pitch in the framework of the Rencontres Internationales du Documentaire de Montréal.

GRANNY POWER, the project I am pitching (see the video pitch here on Vimeo) together with my colleagues, is a feature length English-language film on the Raging Grannies. This film has been in the works for eight years – and it might as well be crowd funded, because no English-language broadcaster will support it. Could it be that politicized elderly ladies are not the flavour of the month?

The Grannies form a very original protest movement, singing for social justice, peace and environment. They will celebrate their 25th anniversary next summer. The film portrays the movement, but also opens a window on the challenges of remaining active as a citizen as you grow older. Our main characters are between 65 and 80.

Checking out the projects and pitches presented at Cuban Hat is interesting, and the more people vote, the greater the chance that the best projects will become finalists and have a chance to win post production services. Hope you can find the time!

Tobi Elliott, who helps with this blog, is one of the producers of the Granny Film. It was her idea to pitch Granny Power to the Cuban Hat.

The normal progression for a budding filmmaker has generally been from student films and shorty shorts towards longer shorts, and then medium-length films and finally feature length ones. Working on the short films, he or she would learn the ropes, learn how to use equipment and tell a story. Later on, with more resources, would come a bigger crew and competent technicians or co-creators.

Not so in my case. When I started making audiovisual stories for television, I already had many years of storytelling behind me as a radio producer. And as a television ‘producer’ (meaning actually director) at CBC and Radio-Canada television, I didn’t have the right to touch the equipment. I remember the editors saying to me, “You can screen the cut again while I’m on my break, but close the door and don’t tell anyone.” It was a co-conspiracy by the bosses and the union.

Things have changed a lot since then! Now, in the digital world, many television journalists and directors do their own shooting and editing.

And for my part, I am looking after the beginnings I never had as a filmmaker. Over the last couple of years, I have made my first short films. And they will be screening at the Park Cinema in Montreal, before my film Super-Grannies (subtitled version of ‘Les Super-Mémés’) from Oct. 18th to 22nd.

Here is a brief description of the three films – with apologies for the PR language!

Letter to Béthièle. (8 min. 2010) In French with English sub-titles.

In a touching visual letter to his adoptive daughter Béthièle on her 10th birthday, Montreal filmmaker Magnus Isacsson reflects on her roots in Haiti and his own in Sweden, drawing some surprising conclusions.

Sonny Joe & the casino. (22 min. 2004)

Sonny Joe Cross collects used clothes from the residents of the Mohawk territory of Kahnawake. He sells some in his store and gives the rest to the homeless and poor in nearby Montreal. A former hard-drinking gambler, Sonny Joe leads a suspense-filled campaign against a casino promoted by the band council.

Les super-mémés. (45 min. 2010.)

Decked out in gaudy shawls and outrageous hats brimming with a cacophony of colours, «Raging Grannies» defy the invisibility so often experienced by older women. They are a colourful presence at most demonstrations and grassroots meetings promoting peace, social justice and environment.

On the surface, they are amusing, even hilarious. But underneath that humorous veneer, they are deadly serious. The film does more than portray of the movement and its members. It raises universal issues very seldom addressed by the current media, such as the role of senior citizens in our society. “With this documentary film, I wanted to accomplish myself what these exceptional women do so well: entertain while forcing us to reflection,” says the filmmaker.

Production: Island Filmworks

Distribution: Vidéo Femmes

Thanks to Tobi Elliott for her help with the blog.